Shelter in Place
Sketch of work in progress ‘Shelter in Place’ before development was halted due to the Covid-19 shutdown. The feeling I wanted to capture with this piece was a sense akin to looking out at a storm – where wild, natural
Shelter in Place
Sketch of work in progress ‘Shelter in Place’ before development was halted due to the Covid-19 shutdown. The feeling I wanted to capture with this piece was a sense akin to looking out at a storm – where wild, natural
Listening Cave
This work stems from my 2019 artist residency at RSPB Baron’s Haugh, a wetland nature reserve to the east of Glasgow. My residency took inspiration from the Listening Cave, a curved brick structure on the adjacent Dalziel Estate thought to
Listening Cave
This work stems from my 2019 artist residency at RSPB Baron’s Haugh, a wetland nature reserve to the east of Glasgow. My residency took inspiration from the Listening Cave, a curved brick structure on the adjacent Dalziel Estate thought to
eSharp article
I’m pleased to have an article included in the current issue of eSharp, Glasgow University’s postgraduate journal. From the editor – ‘The collection concludes with Calum Scott’s ‘An Exploration of the Notion of Sound (Re)production Through Media Archaeological Creative Praxis’,
eSharp article
I’m pleased to have an article included in the current issue of eSharp, Glasgow University’s postgraduate journal. From the editor – ‘The collection concludes with Calum Scott’s ‘An Exploration of the Notion of Sound (Re)production Through Media Archaeological Creative Praxis’,
Scare the Deer
Scare the Deer / Shishi-odoshi Installed at Sonorities 2018 hosted by Queens University Belfast and at Leith Theatre, Edinburgh as part of Hidden Door 2018. Using the Japanese Suikinkutsu (water koto cave) and Shishi-odoshi (scare the deer) as initial points
Scare the Deer
Scare the Deer / Shishi-odoshi Installed at Sonorities 2018 hosted by Queens University Belfast and at Leith Theatre, Edinburgh as part of Hidden Door 2018. Using the Japanese Suikinkutsu (water koto cave) and Shishi-odoshi (scare the deer) as initial points
When Bells Are Ringing
©2013 Calum Scott When Bells Are Ringing (But There Aren’t Any Bells) Sheet steel. Electromagnets. This piece developed out of research undertaken at Glasgow’s Hunterian Museum as part of their Hunterian Associates Programme. Inspired by the acoustics objects in the Hunterian’s
When Bells Are Ringing
©2013 Calum Scott When Bells Are Ringing (But There Aren’t Any Bells) Sheet steel. Electromagnets. This piece developed out of research undertaken at Glasgow’s Hunterian Museum as part of their Hunterian Associates Programme. Inspired by the acoustics objects in the Hunterian’s
Eigenfunction
©2013 Calum Scott Eigenfunction Speakers. String. Exhibited as part of the Noises of Art conference 2013, Aberystwyth University. The initial concept for this piece was drawn from the historical study of acoustics – specifically French physicist Louis De Broglie’s ‘wave
Eigenfunction
©2013 Calum Scott Eigenfunction Speakers. String. Exhibited as part of the Noises of Art conference 2013, Aberystwyth University. The initial concept for this piece was drawn from the historical study of acoustics – specifically French physicist Louis De Broglie’s ‘wave
Cymatic Sculpture
©2011 Calum Scott Cymatic Sculpture Speakers. Aluminium. Sand. Installed as part of Sound Thought 2011, The Arches, Glasgow
Cymatic Sculpture
©2011 Calum Scott Cymatic Sculpture Speakers. Aluminium. Sand. Installed as part of Sound Thought 2011, The Arches, Glasgow
Calum Scott 