Shelter in Place

Sketch of work in progress ‘Shelter in Place’ before development was halted due to the Covid-19 shutdown. The feeling I wanted to capture with this piece was a sense akin to looking out at a storm – where wild, natural

Shelter in Place

Sketch of work in progress ‘Shelter in Place’ before development was halted due to the Covid-19 shutdown. The feeling I wanted to capture with this piece was a sense akin to looking out at a storm – where wild, natural

Listening Cave

This work stems from my 2019 artist residency at RSPB Baron’s Haugh, a wetland nature reserve to the east of Glasgow.  My residency took inspiration from the Listening Cave, a curved brick structure on the adjacent Dalziel Estate thought to

Listening Cave

This work stems from my 2019 artist residency at RSPB Baron’s Haugh, a wetland nature reserve to the east of Glasgow.  My residency took inspiration from the Listening Cave, a curved brick structure on the adjacent Dalziel Estate thought to

eSharp article

I’m pleased to have an article included in the current issue of eSharp, Glasgow University’s postgraduate journal. From the editor – ‘The collection concludes with Calum Scott’s ‘An Exploration of the Notion of Sound (Re)production Through Media Archaeological Creative Praxis’,

eSharp article

I’m pleased to have an article included in the current issue of eSharp, Glasgow University’s postgraduate journal. From the editor – ‘The collection concludes with Calum Scott’s ‘An Exploration of the Notion of Sound (Re)production Through Media Archaeological Creative Praxis’,

Scare the Deer

Scare the Deer / Shishi-odoshi Installed at Sonorities 2018 hosted by Queens University Belfast and at Leith Theatre, Edinburgh as part of Hidden Door 2018. Using the Japanese Suikinkutsu (water koto cave) and Shishi-odoshi (scare the deer) as initial points

Scare the Deer

Scare the Deer / Shishi-odoshi Installed at Sonorities 2018 hosted by Queens University Belfast and at Leith Theatre, Edinburgh as part of Hidden Door 2018. Using the Japanese Suikinkutsu (water koto cave) and Shishi-odoshi (scare the deer) as initial points

When Bells Are Ringing

©2013 Calum Scott When Bells Are Ringing (But There Aren’t Any Bells) Sheet steel.  Electromagnets. This piece developed out of research undertaken at Glasgow’s Hunterian Museum as part of their Hunterian Associates Programme.  Inspired by the acoustics objects in the Hunterian’s

When Bells Are Ringing

©2013 Calum Scott When Bells Are Ringing (But There Aren’t Any Bells) Sheet steel.  Electromagnets. This piece developed out of research undertaken at Glasgow’s Hunterian Museum as part of their Hunterian Associates Programme.  Inspired by the acoustics objects in the Hunterian’s

Eigenfunction

©2013 Calum Scott Eigenfunction Speakers. String. Exhibited as part of the Noises of Art conference 2013, Aberystwyth University. The initial concept for this piece was drawn from the historical study of acoustics – specifically French physicist Louis De Broglie’s ‘wave

Eigenfunction

©2013 Calum Scott Eigenfunction Speakers. String. Exhibited as part of the Noises of Art conference 2013, Aberystwyth University. The initial concept for this piece was drawn from the historical study of acoustics – specifically French physicist Louis De Broglie’s ‘wave

Cymatic Sculpture

©2011 Calum Scott Cymatic Sculpture Speakers. Aluminium. Sand. Installed as part of Sound Thought 2011, The Arches, Glasgow

Cymatic Sculpture

©2011 Calum Scott Cymatic Sculpture Speakers. Aluminium. Sand. Installed as part of Sound Thought 2011, The Arches, Glasgow

GuitarGlitch

©2010 Calum Scott GuitarGlitch 3 classical guitars. Solenoids. DC Motors.

GuitarGlitch

©2010 Calum Scott GuitarGlitch 3 classical guitars. Solenoids. DC Motors.

Musical Dominoes

Tilt sensitive musical dominoes

Musical Dominoes

Tilt sensitive musical dominoes

Servo Desk Bells

Monome controlled servos striking desk bells

Servo Desk Bells

Monome controlled servos striking desk bells